The photograher and philosoph Hanspeter Lehmann lives an ascetic life. So he can dedicate himself thankfully to the evident emptiness of his inner picture language. He can create his works without any pressure from outside without effort from his heart and his soul. The photographies of Hanspeter Lehman speak a special compact speech, the pictures seem like paintings, explore profile and colour with an expressive kind, they are dreamworlds and hard reality at once. His current pictures of landscapes where commented by the writer Dominique Maurer. The new book ‚Mystery and Landscape‘ is created with booth together – photographs and comments –: A surprising view into the deepness of subconsciousness. Picture and text merge and build a connection which makes us hooked.

These are the words of the editor of ‚Mystery and Landscape‘

‚Mystic pictures, hit by an arrow of Amor: This are moments, in which poems flow. Theme of this work is the secret moment of meeting, which rises at the joint view of word and picture. Nature gives this performance thankfullyl a scenery und muse. It is the flow of visial impression, which prepossess us with its slow and ropy rhythm. The world of pictures in natur arise at the photos of Hanspeter Lehmann with intensive expression. The poems of Dominique Maurer send us to a journey and fathom the ever changing of the composition of colour and expression. In a short twinkle we find, that poems and pictures get one. It’s a love relationship which is manifesting itself.

Book's Title: Mysterien und Landschaften

Editor: Theodor Boder Verlag, CH4322 Mumpf

ISBN 978-3-905802-32-0

https://www.hanspeter-lehmann.ch/

https://boderverlag.ch/

You find the bok at many online bookshops

Unwissentlich

10 Menschen

getötet

Selbst

davongekommen

-----------------------------

Baby – Elefant bewahre uns

vor allen Kronen der Welt!

-----------------------------------

Ein Virus –

verpflanzt

in der Menschen Körper-

Chaos

bringt es

und  Verderben

für das globale Sein

----------------------------------

Der Tod

spielt

russisches Roulette

mit den Menschen

-----------------------------------

Corona – Zitrone = Tod ^(-10)

 www.waltraud-zechmeister.at

ART IS STRONGER - pop-ART by Gerald Huber

“Necessity is the mother of invention  … and so an idea came to my mind … for a WIN-WIN to inspire one another” – the artist Gerald Huber has a versatile portfolio to offer to friends of art and all those who might need even a bit more of inspiration now.

“At the one hand my creative project possibilities and therefore income sources are quite limited during the crises. On the other hand happy and colourful images might be a very welcome inspiration for your home right now.” the internationally renowned artist explains his mission.

Select your art favourite online

Of course there is always and still the possibility to send art by post – but it can be even much more simple, explains Gerald Huber. “Select your favourite piece of art online. For only Euro 50,- I will provide you with an image file of that special piece of art by email so that you can print your temporary wall inspiration right away. And if you should want to purchase the art original after Corona then I will even credit Euro 100,- as a sign of my special appreciation.”

Stroll through the „Art Net"

A selection of original art works as well as a portfolio of ART-Prints can be found at http://www.ghiii.com/art/  There you can also download pdf-Files with Art Galleries. All news about the recent projects of the Austrian artist are presented at  http://www.ghiii.com/news/

Gerald Huber: "I hope to inspire people with my art and transfer some of my happiness and energy to them. Thanks for the support – and wishing healthy cheerfulness.”

Artist’s vita Gerald Huber

“It’s life‘s little wonders and the "heARTbeat“of nature and cultures which impresses me most, evoking my barefooted roots and inspiring my heart and my soul.“

In his art he incorporates all the positive momentum of diverse inspirational contrasts, combining wall art with sculpture and playing with light and shadow effects.

His unique concepts create pieces that come alive through the surrounding ambience and the angle of the viewer

Whilst his unique and distinguished signatures arise through combining techniques and materials of classical painting, graphic design and photography with modern engineering technology.

In addition to original signature pieces Dr. Gerald Huber has also released limited series of art prints.

He has been featured regularly in a wide range of international press, TV and Radio, exhibitions and art retail projects - for example in the world’s most luxurious hotel, Burj Al Arab as well as in Dubai’s most recent iconic building, Burj Khalifa, the tallest tower of the world.

“I see art as a fascinating opportunity to inspire people in a positive and creative way - inspire your life.”

Raised in Europe, in his native Austrian Alps, Gerald Huber developed a strong bond with nature and its power of pristine ambience.

Contrastingly, from 2005 to 2012 Gerald lived in Dubai, the vibrant metropolis of Arabia, lending his professional skills to some of UAE’s most striking developments.

His intercultural fusion is heightened by his strong bond with Asia.

Gerald Huber's cosmopolitan inspiration triangle incorporates Innsbruck - Dubai - Kuala Lumpur.

Artist Statement

In this explorative advancing project, I question the impact of the media on our perceptions and emotions. The present flood of images purports a very fast way of reception, moreover the content of images can be digitally changed within seconds. Strong signals, visually simple, eye-catching, colored images captivate the viewer, but this specifically oriented information does not offer any opportunities for a reflection or possibilities to this. The media user is subject to targeted messages. However, it is precisely through this conditioning that the consumer can begin to distance himself emotionally, which then implies the danger of being unable to process what one has experienced, seen and consumed. This way over-information can lead to a kind of desensitization.

How strong must a picture be, so that it still touches us?

The starting point of my work are always portraits of people affected by disasters, wars or crises, which I find on the Internet or in newspapers. These images aim at triggering certain emotions in the viewer, mostly with manipulative intentions. Crying children, exhausted refugees, mourning mothers - portraits showing individual suffering, mostly symbolic of the entire event. We often complete such medial images with our own experiences, translating them into our own realities of life and superimposing them on our emotions.

Yet, what happens in the course of this decontextualizing?

In my work, I question these picture messages. By peeling them out of their medial context, I try to break through learned patterns of perception and established communication processes. I question whether and in what form one should represent such images and what they will effect. I translate the media images into my own visual language in order to evoke media-critical reflection processes. By abstractions, reduction to the essentials, distance and aesthetic moments I would like to liberate the pictures from their uniqueness or to load them with new meanings.

In a second step, I transpose the previously created work into my own everyday life. In doing so the time factor and the context of the experiences and emotions play an essential role. By using various media and their specific layers, I try to cancel time and perception spaces. Two independent events are related to each other in a new way, levels of perception are superimposed and instants of time interwoven.

I also relate the resulting work to my own portrait. What does my work do to me? How much does it affect me? In the course of the work procedure I begin to build an emotional closeness to actually strangers and at the same time I question this nearness. By dissolving the medial context and projecting images onto my everyday life, there arises an emotional closeness and then again a disturbing aloofness.

Dialogues is for me a very intimate reckoning, on the one hand with my personal relationship to the foreign portraits, on the other hand with my own work.

Julia Dorninger, 2019

Dialogues

In the media reports of recent years, also due to the importance of the Internet, are circulating a large number of portraits of victims of violence and disasters. Julia Dorninger collects and analyses such portraits with regard to her credo: "How strong must a picture be, so that it still touches us?”.  She removes all colour from the portrait photographs, abstracts from the shapes, reduces them to their essentials and then transfers them with acrylic paint to transparent PVC - film. She uplifts the display of victims into another dimension by reducing possibilities of identification and stylising the portraits into a vision of timeless appearance. Film as support material emphasizes the tenderness and fragility of the images of the killed or suffering persons.

In series such as „Where children sleep ", she deals extensively with the wave of refugees, which rolled from 2015 to Europe and which was marked by human tragedies. She collects from the media pictures of children who have to spend the night on streets, beaches and in forests without any protection and manifests her impressions from these images in her own sustainable memorable way. Before this she had already dealt intensively with portraits of the victims of the 2004 tsunami and the 2011 famine in Africa, this way artistically preserving human misery so that it will not be forgotten when we are confronted with the images of next catastrophes, often perceived dull and impassively.

With Dialogues she revisits these series of works and extends them including her own person. For example, she portrays herself naked and superimposes her portrait face above face with the pictures of the victims of the tsunami. In view of an often impersonal and voyeuristic presentation of victims rendered by the media, this way the displayed defenselessness and a reduction to elementary shapes becomes a statement about personal perception and transfer to timelessness.

The complexity of the artist’s work with connecting the past to the present becomes particularly conscious when she associates older self-portraits, where we see her alienated by a white wig, with film images of tsunami victims and combines these two past events in a new series. By revisiting former sites she questions her own feelings about the portraits as well as about the resulting works. It is an exploration of a status quo of personal perceptions of human tragedies, their past and significance for the present.

Gabriele Baumgartner, 2019

I started painting watercolor about 15 years ago and then stopped painting a few years until I discovered my passion for acrylic painting. I don't have an art degree, I just paint what and how I like it. I selected five works from my work for presentation.

Mail: ehcreativ@gmx.de

 Links: https://www.instagram.com/ehcreativ
https://m.facebook.com/EHCreativ-112432313658863/

Originale Gedichte geben den Textilien einen emotionalen Untergrund, indem sie die Essenz eines Gegenstandes, die Einsicht in persönliche und vorgestellte Erfahrung erfasst, auf die der Betrachter auf einer emotionalen Ebene reagieren kann. Die Krebs Serie zeigt die körperliche Gewalt von Operation und Nachbehandlung und deren Folgen auf emotiomaler auf emotionaler Ebene durch  postoperativen Stress. "Mist of Time" (Nebel der Zeit) beschwört das Bild eines Ich herauf, das durch die Beziehung zu einem übermächtigen Partner auf sich selbst zurückgeworfen wurde. "Grace" (Gnade) fängt die seelische Leere eines Elternteils ein, der durch den Tod seines Kindes schwer traumatisiert ist und unfähig ist weiterzuleben. "The Essence of our Being" (Der Sinn unseres Lebens) zeift die Liebe zu brüchigen Verhältnissen, eine Hochschaubahn von seelischem Missbrauch. und "Cocktails at nine" (Cocktails um neun) zeigt

das dringende Bedürfnis, "alles beiseite zu schieben, was ich bin", einem geordneten Leben von Routine und Anpassung zu entfliehen.

Scnipsel von Gedichten lassen Bilder entstehen, zu denen sich der Betrachter in Beziehung setzen kann, indem "ein reicher und vibrierender Bildteppich" (,Besinnung auf den Einfachen Herzschlag ') innerhalb von Panelen von Patchwork und Applikationen.

Gedichte sind mir seidenen oder wollenen Fäden aufgestickt, indem sie zusätzliche Struktur, Farbe und einen natürlichen Rhythmus in das Gewebe miteinbringen.

ANGST IST EINGESICKERT (aufgestickt mit einem blauen Seidenfaden): Angst ist eingesickert in meine Knochen, in meine Träume, verkleidet als aufgestaute Energie. Mein Schatten lauert tief verborgen, um mich mit seinen Klauen zurückzuziehen, wenn ich es wage, irgendeinen Trost in meinem Dasein zu finden.

ICH WAR DIE SONNE (autgestickt mit einem leuchtend rotem Seidenfaden)

Ich war die Sommersonne, immer hoffnungsfroh in bezug auf die Frühlingsknospen.

Aber nun sind ale meine Blütenblätter abgefallen und ich werde für immer in meiner Winterhaut verweilen.

ZERSTÜCKLT MICH

Zerstücklt mich, schneidet ihn heraus und schickt  mich wieder zurück in mein Leben.

Sagt mir nichts über dieFolgen, die psychische Verzweiflung.

Verlust von Sexualität und Weiblichkeit. Unvollkommenheit garantiert. So wird mein Leben weiter verlaufen.

Unsicher, die Hässlichkeit zeigt auf, wie perfekt du vorher gewesen sein musst.

Die eingefallene Erhebung nicht länger ein Festmahl für liebende Augen.

Eine Leere, wo meine Brust sein sollte, noch immer empfindlich nach all den Jahren.

Brutal behandelt und weggeworfen.

Soll ich immer mein Aussehen fürchten, meine schwache und ängstliche Brust.

Bin ich sexy?

NEBEL DER ZEIT

Aber ich muss wirklich aufhören, muss mich auffangen, bevor ich in den Brunnen falle, der du warst. Bevor du mich auseinandergerissen hast, indem du meine Qual eingesogen und mich in deinen Sparringpartner verwandelt hast. Ich konnte nicht zurückrufen, wenn die Nebel heraufzogen, geistlos und blind, vereinnahmend und lieblos. Wie sehne ich mich danach, dich wieder zu besuchen. Mich lebendig zu fühlen. Und so besuchst du wieder meine Träume. Es scheint, weniger oft zu sein, deine Gegenwart nimmt langsam ab. Nur mehr ein Schleier unserer Liebe.Und nun betrachte ich dich von einer anderen Küste. Unsere Liebe eine einzige Spur von all dem, was wir waren.

Nebel der Zeit beginnen, sich in meiner Erinnerung zu trüben, leere Plätze, wo sich Schätzt befinden sollten. Es geschah vor so langer Zeit. Der Todeshauch ausgeatmet. Mir war ziemlich verzweifelt bewusst, als wir uns trennten, dass ich ohne dir neben mir ich zu sehr mit mir beschäftigt zu sein, um mich darum zu kümmern.  Und so trauerte ich um meine Liebe, langsam ertrinkend in meinem Schmerz. All das Bedrückende zog mich hinunter. Wie durch den abnehmenden Mond ebbte und flutete ich zu einer Bewegung, die ihre letzten Atemzüge tut. Ich bin nur ein süßer Hauch, der danzt und sich dreht, gefangen in einem Strudel von zerbrechlichen Träumen.

Ich hoffe so sehr, dass ich wieder durch Liebe verklärt werde. So umarmt zu werden, dass ich kaum atmen kann.

Um diesem Druck zu entfliehen, nicht mehr allein zu sein.

Kälte umarmt mich wie ein weicher Winterschal und Regen besritzt mich wütend und grausam. Ihre Wut permanent mit dem sich steigernden Windböen.

Träumerisch ruft er meinen Namen, raffinierte Töne des sanftesten Samts. Ich gehe zu ihm, meinem Geliebten, trat ein, wurde wiede im Schilf verstrickt. Mit verschlossenen Augen gleite ich in einen Dunst, gebadet in den sanftesten Schlafliedern, eingewickelt in durchsichtige Fäden. Ich bin wieder eine Nixe. Kom, mein Freund, absorbiere meinen Geist, nimm mich mit in tiefen Schlummer. Lass das Bewusstsein los, da ich mich niederlasse über dem Boden der Ozeane und gewichtslos, ungestört, ohne fixe Bleibe schwebe.

GNADE

Ein sanfter Wasserfall liebkost das Fensterglas und deine  winzigen Babyfüße trippeln, trippeln vor meinem geistigen Auge und lassen mein Herz wieder vor Freude anschwellen. Ich weß nie, wann du anrufen wirst. Du brichst herein als ob du nie gegangen wärst, erfüllst mein Inneres. Du bist nie wegegangen. Dein Lachen hallt heute von diesen Wänden wider, es tanzt zwischen den Blumentapeten in der Halle. Du liebtest es so seht, die Außenlinien nachzufahren, kleine Finger verschlungen mit meinen. I love it when you return, denn da kann ich frei schwimmen in deinen liebenden Armen. Wir singen wieder diese wunderbaren Lieder, aus voller Brust, denn es ist niemand daheim. Und wir können einen Walzrt tanzen zu der Musik die in meinem Kopf spielt. Ich werde diesen Platz nie mehr verlassen, mein kleines Engelkind.

BESINNUNG AUF DEN EINFACHEN HERZSCHLAG

Gefangen in einem Strudel von zerbrechlichen Träumen. Ein ruhiges Zurückziehen in goldene Farbtöne. Rückzug in viel einfachere Zeiten. Unsere Freuden und Harmonien aufgebauscht. Eine reiche und schillernde Tapete. Aufgeweichte Traditionen einer vergangenen Zeit.Unsere Weisheit eine wertvolles Gut von gut gehüteten Geheimnissen. Eingewickelt in durchsichtige Fäden. Idyllischer Tagtraum. Gebadet in den sanftesten Schlafliedern. abgeschnitten. Von Geburt an mit der Familientradition vollgesogen. Von Großmutter über die Mutter zum Kind. Von den Eitelkeiten der Jugend eingebunden in Lachen und gealtertenTräumen. Veredelt durch das Ausmaß der Zeit. Gut gehütete Geheimnisse. Ausschmückungen eines gelebten Lebens. Dein Reich und Ruhm. Unterschriften von unserer Zeit. Feine Bettwäsche und Silberbesteck. Eine Vermischung meines Lebenswerks.

DER SINN UNSERES LEBENS (Schnipsel)

Von leichter Hand abgeschossene Pfeile über meinen Sorgen, die zu jedem Atemzug sanft tanzen. Energien von leichten Düften wispern meinen Träumen zu, als ich mich wieder anzieIch wusste nicht, dass es so lange dauern würde. ich wartete, dass das Ende kommen würde. Un es kam sehr oft. Aber ich musste noch immer schwimmen. Und dein Lächeln schmecken. Kirschenlippen. Augen Kugeln himmelblauen Eises. Ich wusste dann, dass er der Auserwählte war. Nimm die Reifen von deinem gebrochenen Herzen, nimm die Spur deiner Schritte von vorher wieder auf. Erste Masche. Erste Perle. Stricken lernen zu Hause auf den Türstufen. Und noch immer scheinen diese warmen Strahlen durch.

Es geschah vor so langer Zeit, der Todeshauch ausgeatmet. Mir war ziemlich verzweifelt bewusst, als wir uns trennten, dass ich ohne dir neben mir ich zu sehr mit mir beschäftigt zu sein, um mich darum zu kümmern.  Und so trauerte ich um meine Liebe, langsam ertrinkend in meinem Schmerz.

Aber ich muss wirklich aufhören, muss mich auffangen, bevor ich in den Brunnen falle, der du warst. "Ich liebe dich." Wie leer diese Worte jetzt. Gefühle lassen mich schwer schlucken. Du ergötztest dich an meiner Schwäche. Munition für deine Spiele. Du entferntest meine Rüstung, Stück für Stück, und krochst in die Falten. Ich sehe dich noch, dein altes Selbst, das ich liebte, versteckt in Blumentöpfen, kindisch und echt.

Von den Eitelkeiten der Jugend abgeschnitten, können wir uns jetzt zurücklehnen und die reich ausgeschmückte Tapeten unserer wunderbaren Erinnerungen und idyllischen Tagträume genießen. Unsere Leben veredelt durch das Ausmaß der Zeit. Wie vermisse ich dein zartes Herz. Die Art, wie du es öffnetest und mich hineinklettern ließest. Ich passte immer so gut auf, deine verletzlichen Wände nicht wegzuziehen. Wie durch den abnehmenden Mond ebbte und flutete ich zu einer Bewegung, die ihre letzten Atemzüge tut. Ich bin nur ein süßer Hauch, der tanzt und sich dreht, gefangen in einem Strudel von zerbrechlichen Träumen. Jahre gingen sanft vorüber, Jahreszeiten kamen und gingen. Und immer bist du noch an meiner Seite. Mein Schmuckkästchen, weggeschlossen, um an meinen regnerischen Tagen ein Testament herauszunehmen. Auf den Zehenspitzen gehen zwischen der Süße unserer goten alten Zeiten. Ein magisches Karussell mit schönen Pferden und tanzenden Gazellen in Pastell- und Zuckerlrosatönen. Viel schöner, als die Wahrheit je sein könnte. Unsere Weisheit eine wertvolles Gut von gut gehüteten Geheimnissen, das weitergegeben werden soll an eine Generation, eingebunden in Lachen und kindischen Träumen.

COCKTAILS UM NEUN

Was für ein Genuss,

alles wegzuschieben, was ich bin

und die Begierde mein Selbst überschwemmen zu lassen,

um mit den Gezeiten der Leidenschaft zu treiben

nur dieses eine Mal.

New Albums: Knowledge, Music And Me (Soundtrack Album), Rock Crystal Vol. 2 and Rock Crystal Vol. 3.

New Singles: Time For Wedding and War Produced Death And Destruction.

More information about albums and film go to the official website www.michaelprincejohnson.com

Music Genre: Retro, Instrumental Rock, Metal and all types of Electronic Dance  Music.

Released: 2020

Label: WorldOceanMusicGroup.com

Produced, Composed, Arranged and Mixed  by  Michael Prince Johnson

Music Topics and Meanings of his Song Titles: about the truth of African Civilizations, African Belief System, African Culture, History Of Religion, about Knowledge, Scientific Racism, Discriminations Against  Black African People, Psychology, Genetics ( Biology), Sociology, Economics, Mathematics, Physics, Meditation ( African Origin ), Education, Meaning Of Music, World History and Today.

Duo Band Members of 72 Diamonds: Michael Prince Johnson with his wife Michaela Queenie Johnson.

Listen, Purchase and Buy The Albums or Singles at  iTunes, Amazon, YouTube und https://www.michaelprincejohnson.com/

Biography of Michael Prince Johnson

Michael Prince Johnson (born November 24, 1983) is an African-American single-handed professional extraordinary prolific and multi-genre recording artist, music producer, composer, arranger, singer-songwriter, and DJ. Also, independent researcher, historian, activist, and security.

He has released from 2007 to today a total of 70 albums, over 600 songs, 150 singles, soundtracks, film music documentary, DJ mix albums and single-handed sold worldwide around 5.9 million includes streamings. In 2020, he released his first film music educational documentary " Knowledge, Music And Me ". Also, his compositions were used for numerous video games, films, advertisements, and youtube channels. His global musical achievement includes musical artist and DJ with the greatest educational impact, DJ with the largest music catalogs, a musical artist with one of the largest music catalogs, one of the most sampled artists and DJ in the youtube channel, and one of the best selling EDM, instrumental rock and instrumental pop artists globally. Also, his music catalog is larger than any artist or band in the rank of world's best-selling music artists. His music catalog has a value of between 20 million to 100 million euros. Also, his album 72 Diamonds with 72 songs is the most expensive download Album on iTunes with the price of 72 Euro and running time of 8 Hours 35 Minutes. Also, his albums have been charted in the world's leading online store Amazon USA, UK, Germany, Austria, and Japan.
His name has on Google search engine between 50 million to 300 million results. Spotify the leading streaming service create the Spotify playlist "This Is Michael Prince Johnson" with his Top 50 most streaming hit songs. Also, Google Play Music create his Top 10 most streaming hit songs. All albums and songs are self-produced, composed, arranged and mixed.

His musical achievement in Austria includes the largest music catalog in Austria, the most sampled musical artist and DJ in the youtube channel globally and nationally that comes from Austria and he is also the best selling recording artist and DJ from Austria with African descent.
All Albums are available on Youtube, Google Play Music, iTunes, Amazon, Beatport, and up to 300 download stores worldwide. Also, available also on his website https://www.michaelprincejohnson.com/ and DJ Mixes.
He is also a member of the successful international music duo band The 72 Diamonds with his wife Michaela Queenie Johnson.

His songs were used and sampled on CBS, BET (Black Entertainment Television), video games for Starcraft, Shroud Of The Avatar Forsaken Virtues, The Lord Of Rings, Neverwinter, Star Wars: Battlefront II, Sleeping Dogs, Grand Theft, Overwatch and Minecraft, Film for Roman Pozhidaev and Film Trailer for Recall For Pheasants, and sampled by millions of youtube channels users worldwide. Also, his album 72 Diamonds Vol. 38 was featured on the DJ leading Online Store compilation album Beatport Music Releases Pack 895 (2019). His articles were on USA online magazine Revolvy Trending Topic, Austrian online magazine Kurve Kulturvernetzung and among others.
His songs were supported on national radio station ORF Radio, FM4 and among others. Also his music video for "Say My Name" from the album 2010 " Say My Name Pt 2" get heavy rotation on Austrian music television GO TV.
Also, some of his songs are licensed to the Sony / The Orchard, Sony / ATV Music Publishing, EMI Music Publishing, Warner / Chappell Music and Universal Music Group.
He is best known for his educational impact, extraordinary prolific music productions, musical works, for regular massive album releases, singing, DJ and for his fashion. As DJ he has performed in numerous clubs and events worldwide. Also, his songs are played by international and national DJs from Ibiza up to the biggest EDM festivals around the world.
 His musical themes are about the truth of African civilizations, African belief system, African culture, Africa is the origin of the human race and civilizations, list of African civilizations, the history of religions, scientific racism, discrimination against black Africans, linguistic discrimination, covering the achievements and accomplishments of Black Africans, human rights, psychology, genetics, sociology, economics, mathematics, physics, education, employment, the importance of music, world history and today.
He is a professional exceptional music artist, music producer, composer, arranger, singer, songwriter, and DJ. Additionally, independent researcher, historian, activist, and security. As security, he is employed by leading Security Company Securitas.
His instrumental music includes of all kinds of EDM, house, dancefloor, rock, nu-metal, groove metal, heavy metal, Electronic rock, hard rock, funk, jazz, blues, club, Afrobeat, dancehall, reggae, film music, classical music, classical crossover, soul, RnB, and hip-hop.
His music has an extremely knowledgeable message, very complicated music themes and a true historical meaning. His music has simply described the music of knowledge, truth, consciousness, and conscience.
At the age of 7, he wrote, composed, arranged and sang his songs. In addition to the DJ set, he plays various instruments such as drum machines, MPC, percussion, and keyboards.
His most successful albums include 72 Diamonds Volumes, African Civilizations Volumes, Michaela Queenie Johnson Volumes, Knowledge, Music And Me, Rock Crystal Volumes, Chill Out Time Volumes, Erotic Time Volumes, Halloween Time Volumes, My Symphony Vol.1, Top Singles by Michael Prince Johnson and Top Singles Dance and House.

His musical song titles are factual, historically and come from references and sources of established books.
List of his most notable singles: "African Civilizations Are The Oldest In Human History", " Kemet-Egypt Mean Place Of The Black African People (Land Of The Black People) ", "90% Of The Knowledge Today Is Originated From Black Africans", "Stolen Legacy Of Kemet Egypt Greek Philosophy Is Stolen Kemet-Egyptian Philosophy ", "Africans Have More Genetic Variation Than Other Race (DNA Proof)", " Know Yourself Is African Wisdom", "In Ancient Civilizations, They Worship Black Man And Black Women As Black Gods And Black Goddes", " African Belief System Is The Origin Of All Religion", " You Are Not Nigger, But Origin Of Human Race (DNA Proof)", "Blackness Is Origin Of All Colours", "European And Arab Supremacy (Read About)", " Scientific Racism (Read About)", My Symphony Vol.1 and list goes on.

https://www.michaelprincejohnson.com/

Where to go in your leisure time in Vienna? This link show you all daily events (culture, sports an all other kinds of events) in Vienna and the surroundings: https://www.facebook.com/wohininundumwien/